Review: Jungle Rot - Kill On Command

Band: Jungle Rot
Album: Kill On Command
Year: 2011
Country: USA
Genre: Death Metal

Well this is a treat! I am so happy I finally decided to look into Jungle Rot, and especially that Kill On Command was my first experience with them. This is pure face smashing death metal. Do you know how people mention the boneheaded chest beating neanderthal death metal some people talk about? Yeah that is what this is, but its actually really great stuff.

What's quite intriguing about the music you hear on KOC is that there is a certain element of hardcore to it. No no no not the deathcore type but actual genuine death metal with proper hardcore influences. You can especially hear it in the breakdowns. We have all heard our fair share of breakdowns but Jungle Rot doesn't go overboard throwing too many into one song. In fact the breakdowns that are there (No Mercy, and Push Comes To Shove for example) are interesting because the fellas decided to actually add something to them and play different riffs over them or throw in guitar solos so that they aren't the borefest we are all used to. Not only that but there is an actual style of riffing that sounds very punk/hardcore like in tracks like Born of Contagion, and I Predict A Riot. This is actually refreshing since I have found so few bands who successfully combine elements of hardcore with death metal while still maintaining a proper death metal sound. Not to mention Rise Up and Revolt has a killer intro!

The vocals are a deep throaty sort but not so dissonant that you cant understand what is being said. I'm not sure if there are effects done to them in the studio but they sound good, and sort of different. Whether it was added or natural I like it. The bass seems to be a little buried in the mix but if you pay attention you will notice it there. It mostly just goes along with the guitars though. The drumming is solid, and pretty conservative with the blasts. No constant blasting here but it is peppered through the album here and there. One thing that is a little annoying, and this will be different for everyone, is the sound of the bass drum. It sounds a little odd and I don't especially like it especially during the double bass parts.

So chalk this up as a win for Jungle Rot. This is really good mid paced death metal with a good amount of groove to it and a dash of hardcore thrown in for good measure. All the songs are generally sounding the same but I could equate them to Bolt Thrower, it may sound similar but it sounds good. There is the cruddy sounding bass drum but its not at all a deal breaker. Cheers to JR for successfully melding bits of hardcore (awesome breakdowns, hardcore like riffs, and gang shouts) with death metal without it sounding like garbage.

Score: 8.5/10
Standout Tracks: Blood Ties, Rise Up and Revolt, Push Comes to Shove, Born of Contagion

Review: Morbid Angel - Illud Divinum Insanus

Band: Morbid Angel
Album: Illud Diviunum Insanus
Year: 2011
Country: USA
Genre: Death Metal

I had briefly sampled a few of the songs off of IDI back when the album had first come out. I felt almost embarrassed at the time. As someone who follows numerous metal blog and forum sites, experiencing people's shock and disgust over Morbid Angel's Illud Divinum Insanus was like watching a train crash. You knew something awful was happening but it's just too difficult to take your eyes off of it. So lets get this out of the way, all the negative things you have heard about this album are true.

MA fans seemed to be really excited about the I album. Maybe it was because it had been 8 years since the last album, maybe it was because David Vincent was back, but they couldn't have been expecting this. You can easily split the album into two forms of music. There are the proper death metal songs like Beauty Meets Beast, Nevermore, Blades of Baal, and Existo Vulgore. Then you have the techno/industrial saturated tracks with hints of death metal like Too Extreme!, Radikult, Destructos Vs the Earth, and I Am Morbid.

First I will get into the pure death metal tracks. They are really lame. Alright, Beauty Meets Beast is actually a good song, in fact the only one on the album. Nevermore is just ok. I mean Nevermore/Blades of Baal/Existo Vulgore are just pretty mediocre death metal with some groove in them. But compared to the other tracks on the album these shine, but they still aren't all that good. Thing of a generic by the numbers death metal song and any of these three would probably sound pretty similar to that.

This album has become so infamous that its spawned its own memes within the metal community. Who hasn't seen/heard someone randomly shout or type Too Extreme! or Killa Cop? Those memes alone made those songs difficult to listen to. Once the instrumental Omni Potens finished and the awful electronic drum beat started for Too Extreme! I knew this was going to be a chore. The first time David Vincent screamed "Too Extreme!" I couldn't help but chuckle. That happens a lot on this album. Those electronic drums also sound downright dreadful, like this was some sort of Ministry joke track. The album ends almost as badly as it starts with Radikult being the second to last track. MA completely ape Marilyn Manson and you can't help but think they were listening to The Beautiful People way too much as they were writing this track. This one also got some laughs from me, listen yourself and tell me how this can be taken seriously.

Lyrically Illud is just as comedic as the music. It's mostly tough guy bullshit or some weird shallow science fiction crap. The tough guy songs are even worse because the band seems to have a complete hard on for themselves. Too Extreme, and I Am Morbid seem to be about how super duper awesome the band are. I'm glad they are here to tell us these things, how ironic. To put it simply, there is just no substance here.

David Vincent's vocals are really nothing special here. He gives your run of the mill performance that fails to impress. Maybe hes just getting old, but its not super bad. Just a bit boring. Then there is the bass, or is there? You could have fooled me cause I didn't hear any. The production is a minor annoyance since the vocals soar over everything else, which sucks cause they aren't much to write home about. The drumming sounds kind of fake, especially the double bass. Some parts seem programed which sounds like trash and the real drumming isn't the least bit interesting.

The major reason this album fails isn't because of the electronic parts, but because the electronic parts just aren't done well. It comes off sounding like some awful joke/satire of 90s industrial metal. And not only do the industrial songs sound like shit but they are some of the longest on the album and get most of the time. I just can't see how the members of Morbid Angel thought they could get away with this and not be the laughing stock of the metal scene. Even the straight up death metal tracks are bad with the exception of Beauty Meets Beast. And now there is news of a Remix album? I guess here goes round 2.

Score: 2.5/10
Standout Track: Beauty Meets Beast

Review: Evocation - Apocalyptic

Band: Evocation
Album: Apocalyptic
Year: 2010
Country: Sweden
Genre: Death Metal

During the mid to late 00s we began to see the new wave of old school Swedish death metal bands begin to permeate the death metal scene. With these new bands came a few who were both new and old. Evocation is a death metal act who released a few demos in the early 90s before going on hiatus. The band later reformed and started releasing new material and Apocalyptic is their sophomore effort.

While Evocation plays in the style of Entombed and Dismember (crunchy guitar tone and all) they are also a bit unique. Why? Well they also seem to take queues from mid 90s melodic death metal as well. Most specifically you can hear some At the Gates Slaughter of the Soul type stuff in the guitar riffs. So we could say musically Evocation is 2 parts Stockholm death metal and 1 part Gothenburg. But don't let that worry you, the Gothenburg influences it isn't the flowery folk/power metal stuff of bands like In Flames but the thrashy guitar harmonies of AtG. I personally enjoy this greatly.

Sweet Obsession kicks off the album with a fast picked intro that calls to mind the hallmark Sunlight Studios buzzsaw guitar tone the Stockholm bands are known for. Evocation seem to be masters of creating pleasing yet aggressive melodies that are catchy without being pretty. Every song on the album is a winner in my book. Psychosis Warfare showcases the band's ability to seamlessly blend the conflicting OSSDM and melodeath sounds perfectly. The band plays mostly mid paced death metal but they occasionally slow down here and there like on Its All Your Fault.

Expect a lot of the fast snare hits from drummer Janne Boden which isn't too different from what you hear on SotS. He also throws in some nice blasting here and there as well but doesn't do it the whole time. The Swedish bands always seem to know just when a blast is most effective rather than blasting the whole song long like many of their American counterparts were prone to do. I can hardly hear the bass of Martin Toresson but I do feel what I do hear is him giving a helping hand to the low end by following the already crushing guitars.

Vocalist Thomas Josefsson has a very strong voice. It is a bit on the higher side and he wouldn't sound out of place in a Carcass clone band imitating the brand of vocals Jeff Walker popularized. At times he will let out a lower proper death growl which sounds just as good.

If Evocation had just been another Dismember or At the Gates rip off band this probably would have been a rather boring album. But the fact that they use the templates laid by both bands puts them in a very unique spot giving them a niche for those who enjoy both sub-genres. While I enjoy the 90s output of Dark Tranquillity, At the Gates, and In Flames, this is true melodic death metal played the way it was meant to be. And not only does the band have a foot planted on both sides of the fence, they are damn good at it!

Score: 9/10
Standout Tracks:Psychosis Warfare, Sweet Obsession, Infamy

Savage Messiah are offering their new album Plague Of Conscience, free!

Earache Records and the U.K. Thrash band Savage Messiah are cool enough to offer up Plague Of Conscience as a free download! Savage Messiah's third album will be coming out as a physical release (CD/Vinyl) on January 23rd this coming year.

As usual with Earache the only catch is you must enter your email address in order to get the download link. Check it out Here .

Review: Norther - Circle Regenerated

Band: Norther
Album: Circle Regenerated
Year: 2011
Country: Finland
Genre: Melodic Death/Power Metal

I'm really not into the whole Children of Bodom clone deal. CoB themselves and the bands they spawned have just never really interested me. They are dull, weak, and try to rape you with their over use of keyboards. When you use a shit band as the basis for your sound, results should be rather obvious. So its not wonder that Norther's new album, Circle Regenerated, is just not my cup of tea.

First of all the vocals are trash. Its like an even further watered down version of Alexi Laiho who sounds like crap to begin with. Setting aside the harsh vocals, who ever does the clean singing here needs to be fired. Its not the fact that there are even clean vocals at all, I can stand them but they have to be good. This is just not good singing. While the singing is on the melodic side its just not very good.

Lets see what else, oh the riffs! There isn't really much to talk about here. I mean they are there but seem so shallow and poppy. Its hard to find much substance to what the band has come up with on CR. I will admit the solos are melodic and probably the best part of the album. But when you look at the big picture that isn't really saying much, is it?

The drumming and bass are standard melodic death metal fare. Not that I can really hear the bass at all, but like I said, standard melodic death metal. You get what you would expect from these kind of bands for drumming. A lot of double bass, but overall the rest is boring and unimaginative. Some creativity in the drums (or the album as a whole) would have been nice. And the keyboards? When they take center stage as they always seem to do with these power metal melodeath hybrids, its just annoying. I personally enjoy keys when they are used for atmosphere but bands like Norther just love to shove it down your throat. The production is ok, but the guitars seem a little thin. They have no punch and come off as very light.

I just cannot enjoy this drivel. Its so derivative and Norther are basically aping an already worn out style. The guitar solos are the only redeeming factor in this album for me. Some of the chorus parts are just ok but since the rest of the song is crap it doesn't help too much. We already have a Children of Bottom, must we be subjected to a slew of other bands who sound like them? I guess if you like CoB or the other bands that follow that trend you might like this, but I still don't get why.

Score: 2/10
Standout Track: Please don't make me listen to any of this again!

Review: All Shall Perish - This Is Where It Ends

Band: All Shall Perish
Album: This Is Where It Ends
Year: 2011
Country: USA
Genre: Melodic Deathcore

Awaken the Dreamers is where I first got into All Shall Perish, but only after discovering the band Gunmetal Grey which Hernan Hermida fronted for their one and only release. I really have enjoyed the blend of melodic death metal and deathcore ASP are so good at and they have really perfected it on TIWIE.

Hernan's vocals are pretty unique, at least I haven't really come upon anyone else who sounds like him. He has a gravely high pitched growl he uses the majority of the time. He can actually get pretty high with it too and its impressive. There is also a lower death growl he throws in from time to time as well. I like that when you hear him you instantly know what band is playing and who is fronting it.

There are some really good melodic heavy riffs on the album too. While you have the more melodic tracks like There Is Nothing Left, Procession of Ashes, and The Past Will Haunt Us Both, there are heavier songs as well like My Retaliation, The Death Plague, and Royalty Into Exile. The Past Will Haunt Us Both is this album's Never Again..., its soft but aggressive at the time and full of emotion. The harmonies are excellent and there are plenty in every song.

While the drumming is nothing special its rather solid. Adam Pierce throws in lots of double bass which is pretty standard. The bass can be heard which is nice as well. I really like the production here too, its crisp, clear, and clean in all the right ways. Its clean but not overproduced like many modern bands often are. Everything seems to be mixed properly and nothing is too high or low in the mix.

This Is Where It Ends is another good release by All Shall Perish and is another bright spot in the melodic deathcore scene. With its mix melody and brutality ASP are on the right track here. There is really not much to dislike about TIWIE, my copy even had a Spanish version of Royalty In Exile which is pretty awesome little addition! Get this if you like All Shall Perish, Deathcore, melodic deathcore, or just really good extreme metal.

Score: 9/10
Standout Track: The Past Will Haunt Us Both, There Is Nothing Left, Royalty Into Exile

Review: Threat Signal - Threat Signal

Band: Threat Signal
Album: Threat Signal
Year: 2011
Country: Canada
Genre: Melodic Death Metal

Threat Signal play some a sort of groovy melodic death metal along the lines of what Devildriver has done with their last couple of releases. But you can immediately tell they take a heavy influence from Fear Factory in the mechanical guitar riffs. With their third album the band streamlines their sound and becomes a bit more consistent.

The album starts off with what I think is probably the heaviest song here, Uncensored. TS shows they can get pretty heavy on this one and the blast beats are a treat, though I don't remember hearing them really on any other track. And I guess even if they were there they didn't stand out as much as they did here. A thing that began to bug me as time went on and I listened to the album a few times over was a certain sound the guitars made. Listen to just about any song on the album and you will notice the guitars make an almost snarling noise in every riff (which are repeated of course ad nauseum).

What usually bothered me in the past about Threat Signal was the clean vocals. Jon Howard has a dreadful singing voice. Its like hes channeling Chester Bennington from Linkin Park. Its nasally and comes off almost whiny, and not in the emo kind of way but the normal complaining manner that we all hate so much. Other than that his growls and screams are close to what Randy Blythe from Lamb of God sounds like. But a lot of what is used is like part Howard's singing voice half scream which doesn't really make the singing part of it sound any better. But his proper screams are decent and he throws in some lower death grunts here and there that sound really good.

The drumming is solid, though I wish Alex Rudinger had been able to throw in some more blasts. They sounded so well in Uncensored I think they missed a chance to keep that going for the rest of the album. And the bass seems to follow the guitars note for note, the norm for the genre. A nice fill here or there would be nice. I will give them credit for the great sounding production on the album though, its about perfect minus the annoying snarling guitar noise that is so prevalent.

Threat Signal (the album) is on the better side of average and actually even good if you can get over the parts I mentioned not enjoying. They have given us a decently crafted melodic death metal album that will please fans of the band and probably bring in a few more people who may have been on the fence. And on a closing note, they had a pretty sweet album cover made up as well!

Score: 7.5/10
Standout Tracks: Uncensored, Buried Alive